Welcome to twentytwofifty. This is where I will be posting useful photo information I come across during the semester, things like links to photographers' websites, upcoming exhibitions and events, opportunities to show your work, recommended reading, and much more.

I hope you will check in often. Look, learn, and enjoy!


Showing posts with label criticism. Show all posts
Showing posts with label criticism. Show all posts

Tuesday, September 20, 2011

people who photograph their food . . .

Ever wonder what compels some folks to photograph their food and post the pictures online? Click here for answers and pictures.

Javier Garcia photographing his food. Every other week, he posts the pictures on his Web site.

Saturday, October 16, 2010

take the haiku review challenge . . .

Can you summarize an art exhibition in a few words or sentences? A haiku, a sonnet? Click here to read more. Check out these examples . . .

Haiku Review: Allen Ruppersberg’s decades-long text-and-(found)-image project into memory and reconstruction has taken many practical and strategic turns. The latest, “No Time Left to Start Again,” is one of the most accessible and, perhaps for that reason, most affecting. This time Ruppersberg is acting the avid record collector, documenting early rock ‘n’ roll through its recordings; the amateur magician, researching spells; and – returning to his own salad days – a topical historian of “LA in the ‘70s,” and who knew whom and how.

Allen Ruppersberg. Honey, I rearranged the collection asking myself the question—Who is the founder of conceptual art?, 2010. Silkscreen and collaged photographs on paper
38-1/4 x 50-1/8 inches
Image courtesy of Margo Leavin Gallery, Los Angeles
Photography by Brian Forrest
Copyright Allen Ruppersberg

(Margo Leavin, 812 N. Robertson Blvd., W. Hywd 90069, thru Oct. 23.)

Haiku Review: Ron Rizk and Cindy Kane are both masters of a kind of meta-still life. Rizk describes observed objects with exacting precision within gently weathered framing structures (actually painted illusions) while Kane wields a somewhat looser brush in her intimate rhapsodies of objects enlivening the covers of art and other magazines. (Yes, the New Yorker.)

Ron Rizk, Time Exposure, 2010. Oil on panel 28 x 22 ”
Courtesy of Lora Schlesinger

(Lora Schlesinger, Bergamot Station T3, S. Monica 90404. Thru Oct. 16.)