Welcome to twentytwofifty. This is where I will be posting useful photo information I come across during the semester, things like links to photographers' websites, upcoming exhibitions and events, opportunities to show your work, recommended reading, and much more.

I hope you will check in often. Look, learn, and enjoy!


Monday, August 29, 2011

ruud van empel . . .

Ruud van Empel (1958) is one of the most extraordinary photographic artists of this moment, both nationally and internationally. From hundred of fragments adopted from digital photos, he compiles new images that seem very life-like and realistic, but also conjure up a world that has never existed. Click here to view the artist's website.

Trailer: Ruud van Empel. De onschuld voorbij from Groninger Museum on Vimeo.

Thursday, August 25, 2011

timothy schenck . . .

Here's a fun summer typology! Click here to see more work by this artist.



Saturday, July 2, 2011

Tuesday, June 28, 2011

new camera technologies . . .

Click here to read about the latest new camera technologies coming down the line, such as:

Panasonic 3-D Camcorder


Big Canon Chip

Wednesday, June 15, 2011

camera specs that matter . . . and specs that don't . . .

Big LCD screens and lots of megapixels may sound great in a camera, but other features will give you more bang for your buck. Click here to find out what's important and what's not.

Saturday, May 7, 2011

katy grannan . . .

For her new series, “Boulevard,” Katy Grannan took to the unforgiving, sun-bleached sidewalks of the Tenderloin District, in San Francisco, and of Hollywood Boulevard, in L.A., to photograph inhabitants and passersby. The resulting portraits, a selection of which is presented below, are part of Grannan’s “Happy Ever After,” exhibition, which also includes a three-channel video installation called “Believers.”

She says of her photographs, "I’ve always been interested in the way that photographs relate to storytelling, especially the economy of a short story and the way in which a universe, or a fragmented universe, is encapsulated within very limited parameters. My photographs are vignettes, but they’re not just about the specific person in the picture—the narrative includes the unseen exchange between artist and subject who are often strangers meeting for the first time, each taking a leap of faith by trusting an unfamiliar person and an unexpected encounter. In the past, I photographed people in their homes or in deserted outdoor spaces (usually they’d answered ads I placed in local newspapers), but in Los Angeles and San Francisco, we met on the street and made the photographs streetside, in public."

Click here to see and read more.